Jean antoine Watteau

French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume


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Jean antoine Watteau The base Shirra island goes on a pilgrimage oil


The base Shirra island goes on a pilgrimage
Painting ID::  57267
The base Shirra island goes on a pilgrimage
mk255 for in 1717. Canvas 1.29 x 1.94 meters high. Paris, the Louvre
   
   
     

Jean antoine Watteau Pierrot oil


Pierrot
Painting ID::  57268
Pierrot
mk255 for in the years 1718-1719. 1.85 x 1.50 meters canvas. Paris, the Louvre
   
   
     

Jean antoine Watteau Vergnegen im Freien (Amusements champetres), Detail oil


Vergnegen im Freien (Amusements champetres), Detail
Painting ID::  66058
Vergnegen im Freien (Amusements champetres), Detail
c. 1718 Oil on canvas
c._1718 Oil_on_canvas
   
   
     

Jean antoine Watteau Antoine Watteau oil


Antoine Watteau
Painting ID::  67608
Antoine Watteau
Technique English: Oil on canvas Deutsch: Öl auf Leinwand Italiano: Olio su tela Polski: Olej na płetnie Dimensions 51,3 X 59,4 cm
   
   
     

Jean antoine Watteau Antoine Watteau oil


Antoine Watteau
Painting ID::  67615
Antoine Watteau
Technique Oil on canvas Dimensions 97 X 116 cm (38.19 X 45.67 in)
   
   
     

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     Jean antoine Watteau
     French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume

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